Fabio Lattanzi Antinori, The Keywords Karaoke, 2023. Interactive sculpture with gold powder-coated frame, LED screen, microphone, and participant engaging with AI-generated lyrics.

The Keywords Karaoke (2023)
Interactive sculpture, HS Projects, London

Fabio Lattanzi Antinori, Highly Predictable, 2021. Data sculpture with powder-coated aluminium frame and LED display showing Google Ads keyword cost message: "The cost of your competitors is $5.01".

Highly Predictable (2021)
Data driven sculpture

Fabio Lattanzi Antinori, Unicorns & Angels, 2022. Sculpture featuring folded silkscreen prints with abstract gold and blue data patterns representing startup valuations and angel investor capital.

Unicorns & Angels (2022)
Sculpture

Fabio Lattanzi Antinori, installation view of Astral Charts Shanghai, a sculpture that delivers short financial advice for the companies listed on the Shanghai Stock Exchange

Astral Charts: Shanghai Stock Exchange (2025)
Data Driven Sculpture

Astral Charts: London AIM (2025)
Data driven sculpture

Musarc performing a song generated by The Keywords Karaoke, beneath a screen showing “GUESSIN’ / UNSCRAMBLIN’ / DAY BY DAY” in Fabio Lattanzi Antinori’s interactive artwork.

The Keyword Karaoke featuring Musarc (2024)
Performance, HS Projects, London

Fabio Lattanzi Antinori, A Sign, 2022. Perforated aluminium sculpture in the shape of bold text reading "YOU MUST GROW AT ALL COSTS", reflecting on economic growth and risk.

A Sign (2022)
Sculpture

Fabio Lattanzi Antinori, European Customer Satisfaction Index, 2022. Silkscreen print showing abstract diagram of customer satisfaction concepts reimagined as poetic phrases linked by fine lines.

European Customer Satisfaction Index (2022)
Silkscreen print

Fabio Lattanzi Antinori, Powered by You, 2022. Data sculpture with black powder-coated aluminium frame and LED displays showing SEO keyword cost message: "Dystopian action is £0.6".

Powered By You (2022)
Data driven sculpture

Fabio Lattanzi Antinori, Fat Fingers, 2022. Installation view of framed silkscreen prints featuring mistyped keywords and their SEO values, in blue, white, and gold, referencing data markets and digital advertising.

Fat Fingers (2022)
Silkscreen prints

Fabio Lattanzi Antinori, Of Images and Alt Texts, 2022. Data sculpture with gold powder-coated frame and LED panels displaying AI-generated animated imagery, reflecting on language and machine learning.

Of Images And Alt Texts (2022)
Sculpture

Fabio Lattanzi Antinori, Proposed Customer Satisfaction Model, 2022. Silkscreen print featuring an abstract diagram of customer satisfaction concepts reimagined as poetic phrases linked by black lines.

Proposed Customer Satisfaction Model (2022)
Silkscreen print

Fabio Lattanzi Antinori, Ideal Customer Profile, 2022. AI-scripted video still showing a synthetic actor, a woman in water, overlaid with digital patterns.

Ideal Customer Profile. Happiness (2022)
Video

Fabio Lattanzi Antinori, Permutations, 2022. Blue powder-coated aluminium data sculpture with LED panels displaying keyword permutations, here reading "How taste changed the world".

Permutations (2022)
Data driven sculpture

Fabio Lattanzi Antinori, Business as Usual, 2022. Framed artwork with acrylic, soot on paper, LED light, and black line diagram visualising a climate scenario from Limits to Growth.

Business as Usual (2022)
Mixed media

Fabio Lattanzi Antinori, World Seeks Stable Population and Stable Industrial Output Per Person, 2022. Framed artwork featuring fine black diagram lines and a central LED-lit circular element, inspired by MIT’s World3 model.

World Seeks Stable Population and Stable Industrial Output per Person (2022)
Mixed media

Fabio Lattanzi Antinori, Astral Charts. The London Stock Exchange, 2018. Circular wall-mounted sculpture with gold geometric diagram lines and a small central display showing text, combining financial data and astrology.

Astral Charts: London Stock Exchange (2018)
Data driven sculpture

Fabio Lattanzi Antinori, Another Sign, 2023. Sculpture made from perforated aluminium security screen, featuring repeated cut-out text reading "AGAIN AND AGAIN AND AGAIN AND AGAIN" mounted on a white wall.

Another Sign (2024)
Sculpture

Fabio Lattanzi Antinori, Il Costo delle Tue Parole, 2021. Sculpture featuring powder-coated aluminium structure and modular LED displays showing the Italian text “IL COSTO DEI TUOI DESIDERI FUTURI È €1.20”, referencing SEO keyword pricing.

Il Costo delle Tue Parole (2021)
Data driven sculpture

Fabio Lattanzi Antinori, Astral Charts: The New York Stock Exchange, 2018. Round blue wall-mounted sculpture with custom PCB, electronics, and gold astral chart lines, displaying financial horoscope text on a small central screen.

Astral Charts, The New York Stock Exchange (2018)
Data driven sculpture

Fabio Lattanzi Antinori, Pursuit of a Happy Person, 2023. Performance at Pi Artworks gallery showing two singers standing barefoot beside line-following robots with mounted tablets, while audience members observe.

Pursuit of a Happy Person (2023)
Performance

Fabio Lattanzi Antinori, Trackers, 2020. Installation view at the Royal Society of Sculptors, London, showing two empty billboard-like sculptures made of reclaimed extruded aluminium profiles, positioned in a parquet-floored gallery.

Trackers (2020)
Data driven sculpture + audio, Royal Society of Sculptors, London

Fabio Lattanzi Antinori, Autoplay, 2018. A freestanding LED sculpture with a vertical display structure, showing repetitive text that reads "I WAS OUT IN LONDON" in stacked lines, glowing in varying shades from white to yellow.

Autoplay (2020)
Data driven sculpture

Fabio Lattanzi Antinori, American Customer Satisfaction Index, 2022. A minimalist diagram printed on white background, showing interconnected text phrases such as "Whatever You Do," "It’s the Right Thing," "Be Happy," "Free from Fear,".

American Customer Satisfaction Index (2022)
Silkscreen print

Fabio Lattanzi Antinori, Temporarily Enslaved Gods, 2018. An installation view in a gallery space featuring large freestanding panels printed with black and white barcode-like patterns.

Temporary Enslaved Gods (2019)
Interactive installation

Fabio Lattanzi Antinori, Masters & Slaves: Google, 2017. A tall, narrow sculptural structure made of extruded aluminium profiles and LED screen panels displaying abstract, glitch-like graphics.

Masters and Slaves: Google Alphabet (2019)
Data driven sculpture

Fabio Lattanzi Antinori, Standard Customer Satisfaction Index. Minimalist diagram on a white background consisting of black lines connecting phrases such as "You Are a Butterfly Seeker," "I Know You," "A Potential Flight," "It's Your Turn Now,".

Standard Customer Satisfaction Index (2022)
Silkscreen print

Fabio Lattanzi Antinori, Astral Charts: The Hong Kong Stock Exchange. Circular artwork with a red background featuring intricate gold lines and nodes arranged in a geometric, astral chart-like pattern.

Astral Charts. The Hong Kong Stock Exchange (2018)
Data driven sculpture

Fabio Lattanzi Antinori, Flashcrash. A Perfume. A minimalist installation consisting of a white shelf with two golden bar chart patterns engraved on its surface, representing financial data or stock market fluctuations.

Flashcrash. A Perfume (2018)
Data driven fragrance, New Media Gallery, New Westminster BC

Fabio Lattanzi Antinori, Crude, Oil. A minimalist sculpture made of extruded aluminum profiles forming a stepped, angular vertical structure. The piece resembles a simplified graph or chart, symbolizing fluctuations in oil prices over time.

Crude, Oil (2017)
Sculpture

Fabio Lattanzi Antinori, Future Predictive Values 01-02. Two framed artworks with bold text referencing Google Adwords value assignments.

Future Predictive Values #1 #2 (2021) - ongoing
Giclee prints

Fabio Lattanzi Antinori, The Capital Standard. A minimalist installation of three sculptural structures made from extruded aluminum frames.

The Capital Standard (2018)
Interactive installation, MMCA Seoul Residency Program

A person dressed in black, seen from behind, interacts with a framed artwork mounted on a white gallery wall. The artwork features a geometric composition of vertical white lines over contrasting black and gray sections.

A New Evidence (2016)
Interactive silkscreen print

Fabio Lattanzi Antinori: A minimalist sculptural installation consisting of vertical and angular aluminum frames supporting a narrow vertical LED display panel.

Masters and Slaves: Facebook (2017)
Data driven sculpture

Fabio Lattanzi Antinori: A framed silkscreen print mounted on a white gallery wall above a concrete floor.

Dry Mountains #5 HFT Crop Circle, Crime Scene (2016)
Silkscreen print

Fabio Lattanzi Antinori: A digital artwork displayed on a large horizontal LED screen in an industrial gallery space. The screen shows a graphic with vertical black and grey bars forming peaks and valleys.

Belvedere (2017)
Video, Galerie für Gegenwartskunst, Freiburg

Fabio Lattanzi Antinori: A sculptural installation composed of vertical and angular silver aluminum frames supporting a large black panel with intricate geometric patterns and vertical lines resembling data charts or stock market graphs.

Fortune Tellers (2016)
Interactive installation, MoCA Shanghai

Fabio Lattanzi Antinori: United The Many — A minimalist installation view featuring two black studio monitor speakers facing each other across a neutral grey background, positioned symmetrically with empty space between them.

United. We The Many (2017)
Data + Audio

Fabio Lattanzi Antinori: Future Words — An installation of three vertical panels with intricate black and grey geometric patterns resembling financial data charts, suspended within aluminum frame structures, under dramatic lighting that casts angular

Future Words (2018)
Interactive installation, SeMA Seoul Museum of Art

Fabio Lattanzi Antinori: Dear Shareholder — A sculptural installation composed of geometric, silver aluminum profiles forming a cluster of upright, angular structures. The piece stands in a gallery space.

Latency Docet (2016)
Data driven sculpture with fragrance

Fabio Lattanzi Antinori: Dear Shareholder — A minimalist wall-mounted installation featuring seven black and gold engraved pens arranged in a vertical line on a white background, each casting a distinct shadow, symbolizing corporate communication and

Dear Shareholder (2015)
Sculpture

Fabio Lattanzi Antinori: Dataflags — A black hanging textile artwork featuring intricate patterns and stepped graph-like forms in shades of gray and white. The piece is installed between marble columns in a classical gallery space with sculptures and

Dataflags (2017)
Interactive silkscreen print, V&A Museum, London

Fabio Lattanzi Antinori: Future Words — A minimalist abstract composition featuring geometric blocks in black, grey, and white arranged in a stepped, architectural form against a white background.

Dry Mountains #1 (2016)
Silkscreen print

Fabio Lattanzi Antinori: A New Evidence 2 — A sculptural paper work made of folded and intertwined silkscreen-printed strips in black, white, and gold tones, forming an abstract, dynamic composition against a white wall.

A New Evidence 2 (2016)
Sculpture

Fabio Lattanzi Antinori: Interest Rates Fell Further — An arrangement of six black and gold engraved pens, diagonally positioned on a white background, each pen inscribed with a fragment of a text.

Interest Rates Fell Further (2016)
Sculpture

Fabio Lattanzi Antinori: Belvedere Silkscreen Print — A black and white abstract print showing vertical and horizontal lines with cross-like markers, resembling a stylized financial chart or data visualization, evoking patterns of market anomalies.

Belvedere (2015)
Silkscreen prints

Fabio Lattanzi Antinori: Mantra — Wall-mounted installation with two curved metal tubes, each ending in a small digital display projecting red LED text. The text forms phrases such as “ENOUGH” and “IS NOT,”.

Mantra (2015)
Sculpture, The Guest Projects, London

Fabio Lattanzi Antinori: The Book of the Abyss — A black book with a minimalist gold geometric symbol resembling a hexagon and downward chevron, placed against a grey background.

The Book of The Abyss (2014)
Artist book

Fabio Lattanzi Antinori: Our Best Memories — Digital artwork with a grid of blue and gold vertical lines forming triangular and trapezoidal patterns, arranged in horizontal bands on a black background.

Our Best Memories (2015)
Video

Fabio Lattanzi Antinori: And Then We Celebrated — Sculptural paper work with silkscreened beige and white vertical lines, partially curled and mounted against a white wall.

And Then We Celebrated (2015)
Sculpture

Fabio Lattanzi Antinori: And Then We Celebrated — Sculptural paper work with silkscreened beige and white vertical lines, partially curled and mounted against a white wall.

Fastlaner Good (2016)
Sculpture

Fabio Lattanzi Antinori: DPS — A double-page spread style composition featuring a photograph of a seated man in casual clothes with the caption "RANDOM GUY AT THE STORE" in bold white text on a black background.

DPS (2013)
Video

Fabio Lattanzi Antinori: The Abyss — Sculptural installation with a black angular geometric form on a pole, positioned in front of a large hexagonal gold mirror structure mounted on a white gallery wall.

The Abyss (2014)
Data driven sculpture

Fabio Lattanzi Antinori: Untitled — Minimalist sculpture composed of two large black rectangular forms, one taller and one shorter, leaning diagonally against a white gallery wall.

Untitled (2014)
Sculpture

Fabio Lattanzi Antinori: The Oracle — Installation view of five black monolithic rectangular sculptures of varying heights, arranged in a dynamic sequence within a white-walled, chapel-like space with arched windows.

The Oracle (2013)
Data driven sculpture

Fabio Lattanzi Antinori: Contours — Installation view of two figures walking through suspended black-and-white striped textile panels in a grand hall with ornate arches and columns.

Contours (2013)
Interactive installation, MAK Vienna

Fabio Lattanzi Antinori: The Obelisk — Minimalist sculpture of a clear vertical prism set on a white pedestal, positioned in front of concentric blue and white light circles projected onto a wall.

The Obelisk (2013)
Data driven sculpture