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CV


:SELECTED SOLO AND DUO EXHIBITIONS
2017 Lodz University of Technologies, Lodz (duo show with Wlodzimierz Cygan)
2016 Dear Shareholder, The RYDER Projects, curated by Bar Yerushalmi, London
2016 MoCA Shanghai Pavilion, curated by Weiwei Wang
2016 Kristin Hjellegjerde (duo show with Jeremy Everett)
2015 East London Printmakers
2015 Flashcrash Unlimited, Widget Art Gallery, cur. Chiara Passa, on-line
2013 Scientific Skin, curated by Thomas Geisler and Sabine Seymour, Museum für angewandte Kunst, Vienna
2013 Over Hear - The Sensory Archive, Inis Oirr Art Centre
2009 Vacanze Romane, Palazzo Libera per l’Arte Contemporanea, Rovereto, curated by Angela Madesani

: SELECTED GROUP EXHIBITIONS
2017 Odessa Biennale, Ukraine, cur. Camilla Boemio
2017 Galerie Für Gegenwartskunst, Freiburg, cur. Heidi Brunnschweiler
2017 Holon Museum, Israel, cur. Elisabetta Pisu, Anat Safran Lila Chitayat, Yael Taragan
2016 Hangzhou Triennial of Fiber Art, cur. Liu Xiao, Xu Jia and Assadour Markarov, Zhejiang Museum, Hangzhou, China.
2015 Kaunas Biennial, cur. Nicola Bourriaud. Section Sonic Pattern Cur. Karen Gaskill, Janis Jefferies, Mykolas Žilinskas Art Gallery, Kaunas Biennial, Kaunas, Lithuania.
2015 Heaven is a place where nothing Ever happens, cur. Ashlee Conery, PiArtworks Gallery, London
2015 Production Methods at the Watermans Gallery, cur. Ozden Sahin. London
2015 Sonic Invasions, cur. Lanfranco Aceti, Tae Hong Park, NYU, New York
2015 The Florence Trust Summer Show, cur. Paul Bailey, Neil Jefferies and Kate Neave, The Florence Trust, London
2015 Winter Open, cur. Paul Bailey, Neil Jefferies and Kate Neave, The Florence Trust, London
2015 Executed, cur. Lanfranco Laceti and Ozden Sahin, Museum of Contemporary Cuts, on-line
2015 Executive Chair, cur. Ozden Sahin, with Haydn Jones + Jonathan Munro, Guest Projects, Shonibare Studio
2014 Digital Weekend, cur. Irini Papadimitriou, V&A, London
2014 Dream Home, Affordable Wick, London, with Sara Ludy, curated by Nimrod Vardi
2014 Post Digital, are we there yet? Degree Art, curated by Nimrod Vardi
2013 Nowhere 13, Saint James Church, Goldsmiths, London
2013 MoBA13 Fashion Biennale, cur. Lidewij Edelkoort, Arnhem
2013 International New Media Art aExhibition, OCT Contemporary Art Terminal, Shenzhen
2013 Nowhere 13, Saint James Church, Goldsmiths, London
2013 MoBA, Fashion Biennale, Arnhem, curated by Lidewij Edelkoort
2013 Data as culture, Open Data Institute, London, curated by Mztek
2013 Au, Beers Contemporary, London, curated by Kurt Lambert
2013 The Artist as viewed from the outside, The London Art Fair with Beers Contemporary
2013 Goldsmiths Computational Studio Arts, Watermans, London, curated by Irini Papadimitriou
2012 The Tin Shed Gallery, Goldsmiths, London, curated by Jonathan Munro and Catherine Weir
2012 MoMA PS1 Summer School, New York, mentored by Marina Abramovic
2012 Silent Monologue, The Crypt of Saint Pancras, London, curated by Miseongoa Shin
2012 Digital Futures, Sackler Centre, V&A, London, curated by Irini Papadimitriou
2012 Nowhere, Saint James Church, London
2012 Tomorrow people, The Elevator gallery, London, curated by Simon Reuben White and Natalie Sanders
2012 Digital Shoreditch, Mother, London
2012 SW1 Gallery, London
2011 The Face of the Shape, La Scatola Gallery, London, curated by Valentina Fois

: RESIDENCIES
2015 East London Printmakers, London
2015 Space CoLab, London
2015 The Guest Projects, London
2014 The Florence Trust, London

: TALKS + PRESENTATIONS
2017 University of Leeds, with Eduardo Kac and Andrew Prescott, Faculty of Arts, Humanities and Cultures, Leeds.
2017 In-Conversation, with Melanie Lenz and Ashlee Conery, THE RYDER projects
2016 Talk at MoCA Shanghai.
2016 In conversation with Barry Barker at Kristin Hjellegjerde.
2015 East London Printmakers, Artist in residence talk.
2015 Heaven is a Place where Nothing Ever Happens, chaired by Ashlee Conery, with Rachel McRae, Reuben Henry
2015 Disordering Frameworks, The Standard Model Book Launch, with Ariane Koek, Isobel Whitelegg and Peter Mörtenböck, Goldsmiths University MFA Curating, London
2015 Intertwinedness, chaired by Stefan Lutschinger, with Marios Athanasiou + Phil Thompson, Arebyte Gallery, London
2015 Sounds, Images, Data, chaired by Lanfranco Aceti, New York University, New York
2015 Board Meeting. with Ozden Sahin, Haydn Jones and Jonathan Munro, chaired by Bill Balaskas, Guest Projects, London
2014 Post Digital. Symposium, chaired by Kare L Cham, London
2014 Apprehension. Global Society and Contemporary Art on the Twitter Generation, cur. Camilla Boemio, Bucharest Biennial
2014 Awful Things, in conversation with artist Haydn Jones, Chisenhale Studios, London
2014 Sichuan Fine Art Institute, cur. Cedar Zhou, Chongqing
2014 Art After the Internet, cur. Janis Jefferies, Centre for Creative Collaboration, London
2014 Restless Futures: Open Data as a Creative Material, Open Data Institute in collaboration with UAL, London
2014 Digital Futures Jan. 14, Sackler Centre, V&A, London
2013 Data as culture, Open Data Institute, London
2012 Digital Futures November, Sackler Centre, V&A, London
2012 Collaborative practice in Art, Elevator Gallery, London
2012 Digital Futures April, Sackler Centre, V&A, London

: SELECTED CATALOGUES
2017 MoCA Shanghai
2016 Hangzhou Triennial of Fiber Art
2015 The Kaunas Biennial
2015 The Florence Trust Summer Show
2013 The London Art Fair
2013 Now-Here Goldsmiths
2012 The Open Data Institute
2009 Vacanze Romane
2009 Terna Award

: PRESS (Print + on-line)
2017 ‘La turbolenza che striscia al suo exit poll’, Paolo Meneghetti, Kritika, (on-line)
2017 ‘Der Gesang der Aktienkurse’, Herbert M. Hurka, Badische Zeitung, June, Freiburg (article)
2017 'L’importanza della materia. Quattro artisti a Milano', Giusi Affronti, Artribune (on-line)
2017 'Matter Matters. Una riflessione sulla forma e sulla materia', Giulia Ronchi, ArtsLife (on-line)
2017 'Minimal in Milan: Matter Matters at The Flat - Massimo Carasi Gallery', Eric David, March, Yatzer (on-line)
2017 ‘A Room of One's Own’, Aina Pomar, Art Dependence Magazine, December 2016, London (article)
2017 ‘Bare Conductive’. Progetto Grafico, Milan (article)
2016 ‘Five art shows to see this week: National Gallery, Serpentine and more’. RA Magazine (on-line)
2017 The Fuit of the Forest, Interview with federica Tattoli (on-line)
2016 ‘Touch the sculptures, listen to the "future singing" and you may be able to understand the stock market’, ZhongHan, Liberation Daily. (article + on-line)
2016 ‘Space and Time’, Abstract data and complex financial figures are brought to life in Fabio Lattanzi Antinori’s multimedia installations. Wuon-Gean Ho, Printmaking Today (article)
2016 ‘Immaterial Aesthetics – The Internet Yami-Ichi’, Edward Paginton, Modern Weekly China. (article)
2015 ‘Real Talk. The artist on representations of failure and the role of data in our society’, Silvia Badiali, ArtWire on-line. (article)
2015 "Flashcrash Unlimited at the Widget Art Gallery", Nara Shin, Cool Hunting on-line. (article)
2014 FAD Q+A with Fabio Lattanzi Antinori #PostDigitalWeekend, FAD on-line.
2014 Central Station, UK on-line.
2013 'Open Data' Brings Potential And Perils for Government, Ben Rooney, Wall Street Journal on-line.
2013 TED Los Angeles, 'The Butterfly Effect', Julie Freeman presents the Data as Culture collection.
2009 Cognition & Emotion, Informa

: ACKNOWLEDGEMENT + RECOGNITIONS
2017 Italian Institute of Culture in Tel-Aviv and Italian Embassy in Israel, Support for Contours
2016 Italian Institute of Culture in Shanghai, Patronage for Fortune Tellers
2016 British Council, Connections Through Culture
2016 Artist Information Company, Travel Bursary for extraordinary and inspirational research
2015 Production Methods, supported by Arts Council England
2015 Artist International Development Fund, Arts Council and British Council England.
2014 Selected for the Florence Trust Residency
2014 Selected for The Guest Projects 15
2012 Selected for the Open Data Institute collection
2012 Selected for the PS1 MoMA NY Summer School with Marina Abramovic

: COMMISSIONS
2016 Elephant Road, sculpture, commission of Get Living London
2015 Production Methods, installation, commission of Watermans Arts Centre and Arts Council England
2014 Arts & Humanities Research Council, Cheltenham
2013 Museum für angewandte Kunst, Vienna
2012 The Obelisk, commission of the Open Data Institute, London
2012 Echoes, commission of Mother, London

: PUBLIC COLLECTIONS
V&A, London
Villa Lagarina Civic Museum, Rovereto
Crespina Civic Museum, Pisa

: PRIVATE COLLECTIONS AND ARCHIVES
The Open Data Institute, London
Various private collections in Trento, Milan, London and Rome

: EDUCATION
2011-2013 Master of Fine Arts (with distinction) Goldsmiths, Computational Studio Arts, London
2012 MoMA PS1 Summer School with Marina Abramovic, New York
2007 Printmaking, Central Saint Martins, London
1994 MA Communication Art & Design, CCCA, Rome
1993 University of Architecture, La Sapienza, Rome